![]() Any day the crew was off, Aaron Moorhead and I would continue to shoot. So Will came out with the drone and, after almost getting arrested with it in a Moscow airport because they were thinking it was a piece of military equipment he was going to assault Russia with, we got to use it. It should feel very subjective, almost like a third, all-powerful character. ![]() The photography should feel like an omniscient presence in the movie. Should I bring it for the production? Maybe we could use it.' We knew immediately how that would fit into our general approach to the photography of the movie. ![]() "We had a very meticulous shot list and had a well thought out approach to the photography of the movie and after all that was done, our first AC/steadycam operator, William Tanner Sampson, came to us and said 'Hey, I've got this new drone I just bought.
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